Editor Alejandro Ordez Life / Century 21 The artist Pablo Pilo Palma was born in Guatemala City on March 11, 1,980. Just a year of life moves La Antigua Guatemala, recognized as his homeland's ancient Guatemala, because he lives alldesde before their first year of age. Avid reader from an early age, Paul was hit by the proposals put forward by authors such as Camus, Kafka, Nietzsche, Neruda and Nicanor Parra. Much of his inspiration comes from the library pictorial imagination that fueled the books, from the encounter of feelings in poetry to the meeting of minds in philosophy. The other parts of the graphic minded human figures make up the classic and the explosion of colors in the Guatemalan folklore, in which constantly appearing Maya stelae real faces of women and men who fathered more than seem Guayacn carved wood. Painting has always been present in his life, the plastic has been the eternal appeal to survive and not just a mechanism introspeccin. Painting and drawing are his natural activities, to travs of which succeeds in translating their stories, disseminate their views, making proposals and share their feelings. In the plastic industry has developed his own style, which found watercolor, through which stories to travs of mosaics in their individuality have fragments of his story, and that together express the general form defined. The first exhibition of Pablo Pilo be carry out 1991, in La Casa de la Cultura de La Antigua Guatemala, being the youngest exhibitor. From that moment, has put a personal and cluster in different areas of art in Guatemala. His work can explore multiple techniques and styles, representing a multiplicity of objects of inspiration from landscapes to figures human. His means of expression are read, watercolor, pencil, ink, crayn, pastel, acrylic, etc. and digital tambintcnicas. His artistic proposals ranging from realism to surrealism, in a range of states and media feeds him the vision of the world. In addition, it has a special identification with the portrait and what he considers his criticism derivacinms: caricature, with which technique has gained wide national recognition. With this talent, Paul Pilon is the cartoonist for the magazine and creator of the supplement Matraca Passion for a Bone, both published in the journal Alda, so that their work is seen daily by approximately 25 thousand people in Guatemala. Also has multiple illustrations for the Twenty-First Century newspaper. "That work is much more than a plastic expression, because it allows me to make social criticisms policy with complete honesty and force," says the artist about their work.